Innovation and transformation of audiovisual narrative on spanish public television: from Mañaneros 360 to La Revuelta
Main Article Content
Abstract
Introduction: This article analyses the transformation of audiovisual narrative in Televisión Española (TVE) in recent years within a context of digitalization, audience fragmentation, and competition with digital terrestrial television (DTT) and OTT (Over-The-Top) services. The study focuses on two strategic bets of La 1 (TVE) in 2025: the infotainment program Mañaneros 360 and the entertainment show La Revuelta. Methodology: The research applies content analysis to 37 representative broadcasts and contrasts its findings with audience data from linear, time-shifted, and digital consumption via RTVE Play. Four hypotheses are tested: that Mañaneros 360 has increased the share compared to the previous stage; that La Revuelta has reduced the historic access prime time gap with Antena 3 TV and rejuvenated its audience; that narrative hybridization strengthens the public service mission without sacrificing competitiveness; and that integrated measurement of linear+time-shifted+OTT viewing is essential to assess real impact. Results: All four hypotheses are confirmed: Mañaneros 360 achieves La 1’s best morning figures since 2012 and reinforces lead-in flow into Telediario 1; La Revuelta averages a 13.5% share, with nearly 4.5 million contacts per episode, and competes by tenths with El Hormiguero (Antena 3 TV). Discussion: Editorial implications, risks of spectacularization, and strategic recommendations are identified. Conclusions: Both programs restore relevance to La 1 in historically weak time slots strengthening its competitiveness against rival channels. Narrative innovation reinforces its public service role, although it requires editorial protocols and integrated metrics to assess real impact.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Journal of Communication of SEECI recognizes and promotes copyright rights, as well as the need to disseminate knowledge in an accessible and equitable manner. Our journal operates under a Creative Commons License CC BY-NC 4.0, which allows authors and users to:
- Share and Adapt: Copy, redistribute, and adapt the material published in the journal in any medium or format.
- Attribution: Properly acknowledge authorship and provide a link to the license, indicating if any changes have been made.
- Non-Commercial: Do not use the material for commercial purposes without the express permission of the authors and the journal.
- Authors retain copyright and may enter into non-exclusive agreements for self-archiving, deposit, or distribution of the publisher's version published in this journal, including institutional, national, or international repositories, and personal websites.
References
Abbey, R. (2018). Cass R. Sunstein. #Republic: Divided Democracy in the Age of Social Media. Princeton, NJ: Princeton University Press, 2017. Pp. xi+310. $29.95. American Political Thought, 7(2), 370. https://doi.org/10.1086/696988 DOI: https://doi.org/10.1086/696988
Azurmendi, A. (2018). Reconectar con la audiencia joven. Narrativa transmedia para la transformación de la televisión de servicio público en España, Francia, Alemania y Reino Unido. Revista Latina de Comunicación Social, 73, 927-944. https://doi.org/10.4185/RLCS-2018-1289 DOI: https://doi.org/10.4185/RLCS-2018-1289
Bardoel, J. y d’Haenens, L. (2008). Reinventing public service broadcasting in Europe: Prospects, promises and problems. Media, Culture & Society, 30(3), 337-355. https://doi.org/10.1177/0163443708088791 DOI: https://doi.org/10.1177/0163443708088791
Barlovento Comunicación. (2022). Análisis de la industria televisiva 2021. https://barloventocomunicacion.es/wp-content/uploads/2022/05/2021-ANALISIS-TELEVISIVO-BARLOVENTO-COMUNICACION-1.pdf
Baym, G. (2005). The Daily Show: Discursive integration and the reinvention of political journalism. Political Communication, 22(3), 259-276. https://doi.org/10.1080/10584600591006492 DOI: https://doi.org/10.1080/10584600591006492
BBC. (2024). Annual Report and Accounts 2023/24. https://www.bbc.co.uk/aboutthebbc/documents/ara-2023-24.pdf
Brants, K. (1998). Who’s afraid of infotainment? European Journal of Communication, 13(3), 315-335. https://doi.org/10.1177/0267323198013003002 DOI: https://doi.org/10.1177/0267323198013003002
Bustamante, E. (2006). Historia de la radio y la televisión en España. Gedisa.
Cañedo A. (2019). Albornoz, L. A. & García Leiva, M. T. (Ed., 2019): ’Audiovisual Industries and Diversity. Economics and Policies in the Digital Era’. Routledge, New York. Estudios sobre el Mensaje Periodístico, 25(3). https://doi.org/10.5209/esmp.67011 DOI: https://doi.org/10.5209/esmp.67011
Delli Carpini, M. X. y Williams, B. A. (2000). Let us infotain you: Politics in the new media environment. En W. L. Bennett y R. M. Entman (Eds.), Mediated politics: Communication in the future of democracy (pp. 160-181). Cambridge University Press. https://doi.org/10.1017/CBO9780511613852.009 DOI: https://doi.org/10.1017/CBO9780511613852.009
Dragomir, M., Rodríguez Castro, M. y Aslama Horowitz, M. (2024). Public Service Media and Platformization: What Role Does EU Regulation Play? Journalism and Media, 5(3), 1378-1394. https://doi.org/10.3390/journalmedia5030087 DOI: https://doi.org/10.3390/journalmedia5030087
Evans, E. (2011). Transmedia television: Audiences, new media, and daily life. Routledge. https://doi.org/10.4324/9780203819104
France Télévisions. (2025). Rapport d’activité 2024: Bilan 2023/2024. https://www.francetelevisions.fr/groupe/publications/rapport-dactivite-2024-46606
Francisco-Lens, N. y Rodríguez-Vázquez, A. I. (2020). La innovación de la televisión pública europea en la oferta audiovisual digital: nuevas plataformas para la Generación Z. Revista de la Asociación Española de Investigación de la Comunicación (RAEIC), 7(13), 185-212. https://doi.org/10.24137/raeic.7.13.9 DOI: https://doi.org/10.24137/raeic.7.13.9
GECA. (2025). El Balance GECA – Mayo 2025. https://webgeca.geca.es/el-balance-geca-mayo-2025/
Holt, J. y Sanson, K. (Eds.). (2014). Connected viewing: Selling, streaming, & sharing media in the digital era. Routledge. https://doi.org/10.4324/9780203067994
Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU Press.
Jenkins, H., Ford, S. y Green, J. (2013). Spreadable media: Creating value and meaning in a networked culture. NYU Press. DOI: https://doi.org/10.1353/cj.2014.0021
Krippendorff, K. (2019). Content analysis: An introduction to its methodology (4ª ed.). Sage. https://doi.org/10.4135/9781071878781 DOI: https://doi.org/10.4135/9781071878781
Lestón-Huerta, T., Goyanes, M. y Mazza, B. (2021). ¿Qué hemos aprendido sobre la radiodifusión de servicio Público en el mundo? Una revisión sistemática de la literatura y sugerencias para investigaciones futuras. Revista Latina de Comunicación Social, 79, 65-88. https://doi.org/10.4185/RLCS-2020-1489 DOI: https://doi.org/10.4185/RLCS-2020-1489
Lotz, A. D. (2017). Portals: A treatise on internet-distributed television. Michigan Publishing. https://doi.org/10.3998/mpub.9699689 DOI: https://doi.org/10.3998/mpub.9699689
Marín, C. (2006). Periodismo audiovisual: información, entretenimiento y tecnologías multimedia. Gedisa.
Nafría, E. (18 de febrero de 2025). Evolución y tendencias en medición de audiencias 2025. Kantar Media España. https://www.kantarmedia.com/es/noticias-y-recursos/evolucion-y-tendencias-en-medicion-de-audiencias-2025
Napoli, P. M. (2011). Audience evolution: New technologies and the transformation of media audiences. Columbia University Press.
Park, S. y Kwon, Y. (19-20 de junio de 2023). The content genre, audience share, and presence of public sector broadcasters in an era of overflowing OTT services. 32nd European Conference of the International Telecommunications Society (ITS): "Realising the digital decade in the European Union – Easier said than done?". Madrid, España. https://www.econstor.eu/handle/10419/278115
Pires de Sá, F. (2014). An overview of connected viewing. En J. Holt y K. Sanson (Eds.), Connected viewing: Selling, streaming, & sharing media in the digital era (pp. 1-24). Routledge.
Prensa RTVE. (2 de octubre de 2024). ‘La Revuelta’ cierra septiembre con una gran acogida y conecta con nuevos perfiles y públicos [Nota de prensa]. RTVE Comunicación. https://www.rtve.es/rtve/20241002/revuelta-cierra-septiembre-con-gran-acogida-conecta-con-nuevos-perfiles-publicos/16270626.shtml
Prensa RTVE. (31 de octubre de 2025a). La 1 (12,3 %) crece 2,2 puntos en un año y logra su mejor octubre desde 2011 [Nota de prensa]. RTVE Comunicación. https://www.rtve.es/rtve/20251031/1-123-crece-22-puntos-ano-logra-su-mejor-octubre-desde-2011/16795074.shtml
Prensa RTVE. (2 de enero de 2025b). RTVE Play cierra su mejor año con una media de 11,4 millones de usuarios impulsada por el cine y 'La Revuelta' [Nota de prensa]. RTVE Comunicación. https://www.rtve.es/rtve/20250102/rtve-play-cierra-mejor-ano-media-114-millones-usuarios-cine-revuelta-2024/16392762.shtml
Scolari, C. (2013). Narrativas transmedia: Cuando todos los medios cuentan. Deusto.
TF1 Groupe. (2024). Management report 2024. First quarter 2024. https://groupe-tf1.fr/sites/default/files//pdf-financiers/Management%20Report%20Q1%202024%20UK.pdf
Thussu, D. K. (2007). News as entertainment: The rise of global infotainment. SAGE. https://doi.org/10.4135/9781446220337 DOI: https://doi.org/10.4135/9781446220337
Tryon, C. (2015). TV got better: Netflix’s original programming strategies and binge viewing. Media Industries Journal, 2(2), 104-116. https://quod.lib.umich.edu/cgi/p/pod/dod-idx/tv-got-better-netflixs-original-programming-strategies.pdf?c=mij;idno=15031809.0002.206;format=pdf DOI: https://doi.org/10.3998/mij.15031809.0002.206